Task
Design, plan, and execute a small-scale teaching intervention that is informed by the theories you have encountered to create a learning space that is more inclusive of in/visible disabilities and learning differences and enacts intersectional social justice in you context. For the formative assessment, write a 300-word outline and list of key references.
Outline
Learning differences are my greatest consideration in this role since I meet so many students across the neurodiverse spectrum. My manager, Judy Willcocks, told me that 50% of students identify as neurodiverse, which is unsurprising given that it goes hand-in-hand with creativity. I would like to develop my understanding and exploration of this area from Unit 1 to learn how to best support affected students going forward. My intention is to speak with artist, Chris Kelly, who curated our Neurodiversity and Creativity window display in November 2023, and educator, Jhinuk Sartar, who co-produced the Square Hole podcast about neurodiversity. My goal is to develop and deliver a bespoke object-based learning workshop that applies my insights from these conversations as part of my intervention.
While faith hasn’t directly impacted my teaching yet, I would like to think about what I could do to accommodate the different religious identities of my students. For example, I may have some Muslim students come to my workshop in the future who need to be excused at one point in time to pray. Considering faith is especially pertinent now that the UAL Social Justice for Palestine protest group have occupied the CSM reception, which is impacting Jewish students, Muslim students, and the wider community. I need to be wary of objects that have religious connotations and be prepared to manage sensitive group discussions that could arise during my workshops.
Visible disabilities are unfamiliar to me in this role, but I would like to consider what provisions I could make if I were to have a physically disabled, deaf, or blind student enter my classroom. Since the Museum is located on the ground floor of the college and has step-free access, I don’t think accessibility is an issue for physically disabled students. Although, the study room is very small and not naturally wheelchair-friendly. Deaf students would need to follow my workshops using lip reading or have an interpreter present, which would require careful planning. Blind students would need my support to engage their other senses like sound and touch when learning about and handling objects. I will explore how I can apply the key lessons from the British Museum’s Multi-Sensory Learning in Museums for SEND students conference I attended in April.
References
Critical Pedagogy for Social Justice (Smyth, 2011)
Critical reflection-in-action (Schon, 1983)
Finding Fragility collection (Angelica Ellis, 2023)
Inclusive Practices, Inclusive Pedagogies (Bhagat and O’Neill, 2011)
Intersectionality (Crenshaw, 1990)
Islam, Women and Sport: The Case of Visible Muslim
Women (LSE, 2022)
Jason and the Adventure of 254 (Wellcome Collection, 2024)
My Beautiful Broken Brain (Netflix)
Pedagogy of the Oppressed (Freire, 2017)
Rose Ayling-Ellis: Signs for Change (BBC Three, 2023)
SEND in Museums conference, British Museum
Shades of Noir (Aisha Richards, 2024)
Social Justice in Museums conference, Museum of London
Social model of disability (Oliver, 1990)
Square Hole podcast (Spotify, 2022)
Then Barbara Met Alan
Towards and Inclusive Arts Education (Hatton, 2015)
UAL Active Dashboards (UAL, 2024)
UAL Culture (UAL, 2024)
UAL EDI report (UAL, 2022)
We need to talk about disability, Australian Greens